Chronicle 1
2024-08-10
Why, pray tell, should one cast one's gaze upon an image of Steinitz? This, perhaps, is the first question that springs to the mind of the discerning observer.
"I confess, I haven't the faintest notion," I might retort, yet if one must have an image of an editor, Steinitz surely presents an admirable choice, does he not? He is, quite simply, what we might term photogenic.
Having dispensed with that particular trifle, let us proceed to more pressing matters, such as a brief review of the events transpiring here since last we convened.
The website has undergone a complete recoding, sporting a new appearance and structure. We trust it shall meet with your approval; should it not, we shall be most inconsolable. To what extent, you ask?
Why, we might well be reduced to tears and lamentations, bewailing our misfortune, wouldn't you agree?
Ah, yet again, we have veered onto a tangent, of which you shall find no shortage here.
Now, what transpired on this website, you inquire?
The pictures of the paintings from Marta were a most splendid contribution, and we eagerly anticipate further submissions from her.
As is his wont, Marek continues his philosophical musings, and here we present an in-depth article on Immanuel Kant.
Armageddon POP has graced us with no fewer than two new musical compositions: Modulation x 2 and Quiet.
Thus concludes this week's review of the most notable developments. Remember, it is your duty as the observer to ponder deeply the artworks presented here. Do peruse the various menu options to discover what we have to offer—perhaps something that shall delight you, or perhaps something that you shall delight in disliking.